A PROPOS DE DAVE 2000

Sortie du livre de Dave2000 aux éditions du Dernier Cri, diffusion de scènes dia-pornographiques en stereo. Des lunettes anti-radiations seront distribuées à l' entrée.

Dave 2000 est le graphiste de l'embobineuse depuis ses débuts (2005). C'est lui qui réalise la plupart des affiches et flyers, des programmes mensuels et les grandes affiches mensuelles.

A PROPOS DE ARRINGTON DE DIONYSO

Sous la forme du solo, Arrington De Dionyso étend radicalement les expérimentations acoustiques, souvent présentes de manière plus furtive au sein de son groupe Old Time Relijun. Sa performance est largement basée sur la pratique du chant de gorge, l'utilisation détournée de la clarinette basse... Un univers possédé où cohabite l'imagerie folklorique du rock'n' roll, le surréalisme.. et une certaine forme de trip incantatoire.

Arrington de Dionyso (b. January 4th, 1975) of Olympia, Washington uses performance as a vehicle for driving through the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll.

After living in Chicago, Arkansas, and Spokane, Arrington moved to Olympia in 1992 to attend the Evergreen State College, where he studied Ethnomusicology, Music Therapy, and Butoh dance theater. In 1995 he founded the avant-rock group Old Time Relijun, which has since toured and recorded throughout the US, Europe, and Israel, and has released eight albums on the K Records label from Olympia, enthralling audiences with an approach to performance described as deep hermetic practice and/or "some fuckin' scary shit" by critics in the know.

As a solo artist, Arrington performs on the bass clarinet, jaw harps, and his voice with a distinctly multiphonic ability inspired by Tuvan throatsinging and the ecclesiastics of Albert Ayler and Don Van Vliet. Pushing the envelope between musicality and pure energy, between shamanic ecstacy and lunacy, he enwraps rooms with resonant sound. His devotion to bringing traditional Tuvan musics into an experimental music context has been acknowledged by Tran Quan Hai, the famous ethnomusicologist and the world's leading expert on throatsinging.

In addition to Old Time Relijun and his solo projects, Arrington devotes a significant amount of his time to furthering the cause of free improvisation. He is the founder and curator of the Olympia Festival of Experimental Musics, in its twelth year. Arrington tours constantly, and has performed or/and recorded with notable improvisers throughout the U.S.A., Canada, Italy, France, Israel and Lithuania. He presents workshops on improvising with the human voice in conjunction with his touring around the world.

Arrington has received increased attention for his visual artwork, which deals with many of the same themes of spirit, sensation, and improvisation as his music. Recent exhibits have been held in Los Angeles, New York City, Vancouver BC, Paris, Bologna, and Beijing, China. A series of several dozen ink drawings is on view at www.krecs.com/oldtimerelijun. His work is represented in Paris by Atelier Cardenas Bellanger.

A PROPOS DE PEDRO DE LA HOYA

PEDRO DE LA HOYA EN 15 ROUNDS:

1. je suis un homme orchestre.
2. je joue de plein d’instrument à la fois.
3. je joue mal de chaque instrument.
4. je chante faux.
5. je vous emmerde, je chante moins faux que renaud.
6. je parle vaguement espagnol.
6 (bis). "soy un hombre-orquesta".
6 (ter). c’était un exemple.
7. je fais de la boxe a mes heures perdues.
8. je n’ai pas d’heures perdues.
9. je suis également batteur/tromboniste chez kabu ki buddah.
10. les autres membres de kabu ki buddah chantent plus juste que moi.
11. c’est dire si ils chantent mieux que renaud.
12. faites-moi jouer.
13. s’il vous plait.
14. je suis bankable.
15. la preuve en image